Theatre Collectibles, Gifts, and more available at The Playbill Store! Click here to enter

March 22, 2010

Home
Playbill Club
Join Newsletter
Member Services
Features
Classical Music
Opera
Dance
Jazz/Blues
New Recordings
Spotlight
All
News
Archive
Classical Music
Opera
Dance
Jazz/Blues
All
Playbill Store
Storefront
Casting & Jobs
Job Listings
Post a Job
Interactive
Polls
Quizzes

RSS News Feed

News: Opera
Related Information
Email this Article Email this Article
Printer-friendly Printer-friendly

Bookmark and Share
Photo Journal: New York City Opera's VOX Festival

By Ben Mattison
and Vivien Schweitzer
12 May 2006

Top: Philip Curtis plays a laptop part in Anne LeBaron's Crescent City; bottom: NYCO music director George Manahan

New York City Opera presented readings of 12 new or unperformed American operas at its VOX Festival at New York University on May 5 and 6.

For the first time in VOX's history, the festival included electronic music, including Anne LeBaron's Crescent City, a tale of a fictional city recovering from a Katrina-like disaster with a libretto by Philip Littell, and scenes from composer/DJ Mason Bates' first opera, California Fictions.

The festival also included Thomas Pasatieri’s new work Frau Margot, set to a libretto by Frank Corsaro and featuring soprano Lauren Flanigan in the title role, and Los Angeles-based percussionist/composer William Kraft’s setting of Anchee Min’s memoir, Communist China Red Azalea, with a libretto by Christopher Hawes.

Photos by Carol Rosegg.


Soprano Lauren Flanigan, composer Thomas Pasatieri, and librettist Frank Corsaro in rehearsal for Pasatieri's Frau Margot




Keyword:

Features/Location:

Writer:

 


advanced search

SIGN UP for the PlaybillArts Newsletter and enjoy special opportunities and discount ticket offers for classical music, opera, dance, and jazz events.


Click here to see all of the latest polls !


Email this page to a friend!