Brahms and the Orchestra
06 Nov 2012 -- This season the New york Philharmonic is traveling through the rich landscapes of all of Brahms’s symphonies and concertos. Jan Swafford traces the composer’s thorny path to creating some of the greatest works in the orchestral repertoire.
Light and Dark
01 Nov 2012 -- With his new production of Un Ballo in Maschera, set in a cinematic Swedish atmosphere, director David Alden aims to integrate the stylistic paradoxes of Verdi’s endlessly intriguing opera.
31 Oct 2012 -- The 2012–2013 season begins with performances by The Suzanne Farrell Ballet and San Francisco Ballet.
An Eye to the Future
24 Oct 2012 -- New York Philharmonic Executive Director Matthew VanBesien speaks with Monica Parks about his path to the Philharmonic, his reaction to a new hometown, and his hopes for the Orchestra’s future.
Creating a Storm
22 Oct 2012 -- When Thomas Adès’s The Tempest premiered in 2004, the response was overwhelming. Now this contemporary masterpiece is coming to the Met, with the composer conducting Robert Lepage’s magical production and Simon Keenlyside returning to Prospero, the role he created to widespread acclaim.
A Chat With Argento Chamber Ensemble Conductor Michel Galante
20 Oct 2012 -- The Argento Chamber Ensemble, under the baton of conductor Michel Galante, will perform on Oct. 27th at 7:30 pm at St. Bart’s Episcopal Church all fragments of Mozart’s unfinished Requiem K. 626 along with composer Georg Friedrich Haas’s Sieben Klangräume (Seven Soundspaces).
Akram Khan's Vertical Road: The Light and the Dark
16 Oct 2012 -- The eight dancers in Akram Khan’s Vertical Road seem to react reflexively to the powerful beat underlying Nitin Sawhney’s textured, atmospheric score. It’s not immediately clear why their movements are so engaging, but soon enough, the reason becomes evident—the pulsations echo the tempo of our beating hearts.
One Big Symphony
15 Oct 2012 -- The Philharmonic’s 171st season is a wide- ranging journey. Paul J. Pelkonen reveals many of the musical landmarks.
Ax in the House
10 Oct 2012 -- This season Emanuel Ax, following decades of frequent Philharmonic concerts, is officially in residence at the Orchestra. Peter W. Goodman examines the fascinating
and varied repertoire and roles that highlight his appearances.
Sound of Revolution
04 Oct 2012 -- Donizetti’s L’Elisir d’Amore is one of the best-loved comedies in opera. In his imaginative new production, starring Anna Netrebko and Matthew Polenzani, Bartlett Sher uncovers the patriotic fervor simmering underneath the surface charm.
Enter Justin Peck — By Leaps and Bounds
28 Sep 2012 -- The newest ballet by New York City Ballet’s newest choreographer bounded onstage October 5, when corps de ballet member Justin Peck’s Year of the Rabbit, his second work for the Company, enjoyed its world premiere. The final fall performance is Oct. 13.
A Luminous Line Up
25 Sep 2012 -- Lincoln Center’s White Light Festival, which explores the connection of artistic expression to our interior lives, makes its return October 18 through November 18.
Marathon Men: NYCB Celebrates Stravinsky and Balanchine
12 Sep 2012 -- Some partnerships last longer than others. When the visionary Serge Diaghilev first paired Igor Stravinsky and George Balanchine, the impresario’s Ballets Russes once again showed it was willing to take risks.
20 (PLUS) QUESTIONS WITH: Soprano Angela Meade
10 Sep 2012 -- Soprano Angela Meade is part of “Opera’s Next Wave” (Opera News) and she’s leading the wave in the demanding 19th-century bel canto repertoire and the operas of Verdi and Mozart.
05 Sep 2012 -- The National Symphony Orchestra begins a new season with renowned soloists and conductors including Anne-Sophie Mutter, Kelley O’Connor and Roberta Flack.
Park Avenue Chamber Symphony Wins American Prize
03 Sep 2012 -- The American Prize has announced that the Park Avenue Chamber Symphony and its music director David Bernard have won first prize in The American Prize Competition, Orchestral Performance 2012.
The London Symphony Orchestra Returns
29 Aug 2012 -- Fresh from its starring role in the opening ceremony of the London 2012 Olympics, the London Symphony Orchestra returns to Lincoln Center next month for its annual New York residency.
An Eye to the Future
23 Aug 2012 -- New York Philharmonic Executive Director Matthew
VanBesien speaks with Monica Parks about his path
to the Philharmonic, his reaction to a new hometown,
and his hopes for the Orchestra’s future.
Haute Couture at New York City Ballet
15 Aug 2012 -- Fashion, as the world knows, is the guiding passion of Valentino Garavani, the renowned designer and master couturier, often
known simply as Valentino. Less well known is Valentino’s passion for the ballet.
What Mozart Learned from the Birds
01 Aug 2012 -- One day, as he walked past a bird store, Wolfgang Amadeus heard a caged
starling singing one of his own melodies. The remarkable thing was, no one had heard that
piece aside from Mozart.
BBC Proms Dazzles on Opening Night
16 Jul 2012 -- An elegant and distinctly celebratory opening concert launched the 2012 version of London's BBC Proms Concerts at Royal Albert Hall on July 13. Frank Cadenhead reports.
A Wider Spectrum
11 Jul 2012 -- When the New York Philharmonic plays its Concerts in the
Parks, the entire city is invited. Stephen Greco reveals the
inspirations and ambitions behind this long-running cultural
gift to New York City.
A Window on the East
06 Jul 2012 -- Lincoln Center Festival spotlights contemporary
Chinese Dance, Theater and Opera.
Q&A With Baritone Liam Bonner
04 Jul 2012 -- The Bard SummerScape Festival presented its first comic opera on Friday, July 27, giving the original 1887 version of Emmanuel Chabrier’s The King in Spite of Himself (Le roi malgré lui) its first staged production in the U.S.
03 Jul 2012 -- Washington National Opera’s 2012–2013
season features a dynamic group of strong
female characters with compelling musical and
dramatic stories, portrayed by outstanding
singers—it is a season of divas.
Madame Butterfly: A Love Story for the Ages
27 Jun 2012 -- “I love Puccini. I love him like crazy love.” Houston Ballet Artistic Director Stanton Welch is unabashed in his admiration for the music of opera master Giacomo Puccini, especially his Madame Butterfly.
Dizzy’s Club Coca-Cola
26 Jun 2012 -- Tony Bennett called it "the best jazz room in the city," while leading publications like DownBeat and Jazz Times voted the venue one of the world’s best.
Music and Movement, Space and Sound
11 Jun 2012 -- When Alan Gilbert met the Park Avenue Armory, inspiration
struck. Barrymore Laurence Scherer explores the result of this
epiphany: Philharmonic 360, the fascinating program that will
conclude the season in spectacular fashion.
11 Jun 2012 -- Ethan Stiefel may be retiring from American Ballet Theatre, but fortunately he’s giving us a chance to say good-bye.
The Modern Mind of Mozart
10 Jun 2012 -- The Mostly Mozart Festival celebrates the 10th season of Renée
and Robert Belfer Music Director Louis Langrée with the music of
Schubert and the sound of birdsong.
Paris Opera Ballet
07 Jun 2012 -- Ballet’s classic tragedy Giselle returns to Kennedy Center July 5–8 in a romantic production from the company where it was created.
Empowering the Voices of Tomorrow
21 May 2012 -- Across the world something truly eventful is happening in
music education. Jon Deak talks about the Philharmonic’s
own celebration of children’s creativity — the Credit Suisse
Very Young Composers program.
16 May 2012 -- American Ballet Theatre’s repertory is well stocked with works that offer dancers the opportunity
to exploit something rather like a split personality.
With the Crack of a Whip, and a Warm Embrace
09 May 2012 -- Magnus Lindberg’s journey as a composer, and three years as
the Philharmonic’s Composer-in-Residence, has brought the
former radical to a warm embrace of tradition. Scott Timberg
explores the path that has led to the premiere of the Finn’s
Piano Concerto No. 2 this month.
Making the Grade
03 May 2012 -- Marina Harss highlights the women who make up the the famous
“Kingdom of the Shades” scene from La Bayadère.
A Chat With: Organist Christopher Houlihan
02 May 2012 -- An interview with the organist Christopher Houlihan, who performs at Christ and St Luke's Episcopal Church in Norfolk on May 3 at 8:00 pm. The concert is co-presented by Virginia Arts Festival and the Tidewater Chapter of the American Guild of Organists. Mr. Houlihan will perform music by JS Bach, Louis Vierne, Camille Saint-Saens and Franz Liszt.
27 Apr 2012 -- The Lincoln Center Festival brings the world to our doorstep.
25 Apr 2012 -- To close out the St. Louis Symphony subscription season, Stephen Hough
plays the “Rach Fest,” in which the phenomenally skilled piano virtuoso
takes on the formidable task of performing three Rachmaninoff concerts
over two weekends.
The Cellos of the New York Philharmonic
24 Apr 2012 -- The foundation of the strings and often the baritone
melodists, the cello section plays a varied role in the
orchestra, a diversity that Rebecca Winzenried has
observed among the lives of the musicians themselves.
An Obscure Opera Relishes the Spotlight
18 Apr 2012 -- The revival of a long forgotten French opera was cheered by Parisian opera fans. Daniel-François-Esprit Auber's La Muette de Portici, which just finished a run at the Opéra-Comique, has proven to be a celebrated success and a highlight of the season.
A Conversation With Tenor Nicholas Phan
18 Apr 2012 -- As springtime comes into full bloom, rising star American tenor Nicholas Phan, named one of NPR’s Favorite New Artists of 2011, prepares for two exciting firsts.
Singing the Ring
13 Apr 2012 -- This spring, the Met presents the first complete cycles of Robert Lepage’s groundbreaking new production of Wagner’s Der Ring des Nibelungen, led by Principal Conductor Fabio Luisi. How do the singers prepare for the daunting task of bringing Wagner’s vast cosmos to vocal life?
Ballet Speaks French
11 Apr 2012 -- This summer, for the first time in 16 years,
New York’s dance fans will be able to experience ballet in its original language, when the Paris Opera Ballet settles into the David H. Koch Theater for 12 performances as part of the
annual Lincoln Center Festival.